Thursday, 7 July 2011

elegy



I guess that it’s inevitable that if you set out to express sentiment, you’re in danger of becoming sentimental - I suppose that the very derivation of the word is a bit of a giveaway in that matter. And if that isn’t bad enough, this sentimentality could even manifest itself as something twee, superficial and lacking in sincerity – the antithesis of your original intention. Therefore – you can’t win. So I wrote this song with all the trepidation of a street kid in sensible shoes - aware of all the pitfalls of entering the world of uncool – and I fell into them without shame, because even if the words may come across as unadulterated schmaltz, it’s the sentiment that is important.








three letters to the dead








Oh Mother can you hear me calling
The sky’s bruised black and blue
All around the snow is falling
I just want to talk to you




















In your heart can you find forgiveness
For the soul of your only son
I watched you die, did I pull the trigger
I’ll never know but I held the gun




















See your face in the mirror
Feel your blood in my veins
A shrine to your memory
Is all remains












Oh Father, when you left me
Before I was full grown
All the questions without answers
I had to find them on my own




















My hands are numb, I can’t feel my fingers
I try to cut the line you’ve drawn
Through everything your memory lingers
I’ll get no rest til dawn




















Hear your voice in my dreaming
Calling out my name
Things were so different
Now they’re just the same



















You were my best friend, why did you leave me
To sail this rocky sea?
Disease and fate racked your body
And left your soul with me




















In every word you tried to utter
Your lines of poetry
A secret language – Esperanto
Your silence speaks to me















Hear your voice in my singing
In every word I write
Things were so different
But now, tonight






















I stand naked in front of the critics of cool









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